SIL Open Font License v1.10 This license can also be found at this permalink: Copyright 2011 The Montserrat Project Authors This Font Software is licensed under the SIL Open Font License, Version 1.1. This license is copied below, and is also available with a FAQ at: —————————————————————————————- SIL OPEN FONT LICENSE Version 1.1 - 26 February 2007 —————————————————————————————- PREAMBLE The goals of the Open Font License (OFL) are to stimulate worldwide development of collaborative font projects, to support the font creation efforts of academic and linguistic communities, and to provide a free and open framework in which fonts may be shared and improved in partnership with others.
The OFL allows the licensed fonts to be used, studied, modified and redistributed freely as long as they are not sold by themselves. The fonts, including any derivative works, can be bundled, embedded, redistributed and/or sold with any software provided that any reserved names are not used by derivative works. The fonts and derivatives, however, cannot be released under any other type of license. The requirement for fonts to remain under this license does not apply to any document created using the fonts or their derivatives. DEFINITIONS “Font Software” refers to the set of files released by the Copyright Holder(s) under this license and clearly marked as such.
Oct 08, 2015 You got your own font, the real font file thing, will lots of variants, colors, textures, ligatures, custom words, photo letters, icons, emojis, whatever you can to put in it.
This may include source files, build scripts and documentation. “Reserved Font Name” refers to any names specified as such after the copyright statement(s). “Original Version” refers to the collection of Font Software components as distributed by the Copyright Holder(s). “Modified Version” refers to any derivative made by adding to, deleting, or substituting—in part or in whole—any of the components of the Original Version, by changing formats or by porting the Font Software to a new environment. “Author” refers to any designer, engineer, programmer, technical writer or other person who contributed to the Font Software. PERMISSION & CONDITIONS Permission is hereby granted, free of charge, to any person obtaining a copy of the Font Software, to use, study, copy, merge, embed, modify, redistribute, and sell modified and unmodified copies of the Font Software, subject to the following conditions: 1) Neither the Font Software nor any of its individual components, in Original or Modified Versions, may be sold by itself. 2) Original or Modified Versions of the Font Software may be bundled, redistributed and/or sold with any software, provided that each copy contains the above copyright notice and this license.
These can be included either as stand-alone text files, human-readable headers or in the appropriate machine-readable metadata fields within text or binary files as long as those fields can be easily viewed by the user. 3) No Modified Version of the Font Software may use the Reserved Font Name(s) unless explicit written permission is granted by the corresponding Copyright Holder. This restriction only applies to the primary font name as presented to the users. 4) The name(s) of the Copyright Holder(s) or the Author(s) of the Font Software shall not be used to promote, endorse or advertise any Modified Version, except to acknowledge the contribution(s) of the Copyright Holder(s) and the Author(s) or with their explicit written permission. 5) The Font Software, modified or unmodified, in part or in whole, must be distributed entirely under this license, and must not be distributed under any other license. The requirement for fonts to remain under this license does not apply to any document created using the Font Software.
TERMINATION This license becomes null and void if any of the above conditions are not met. DISCLAIMER THE FONT SOFTWARE IS PROVIDED “AS IS”, WITHOUT WARRANTY OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO ANY WARRANTIES OF MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE AND NONINFRINGEMENT OF COPYRIGHT, PATENT, TRADEMARK, OR OTHER RIGHT. IN NO EVENT SHALL THE COPYRIGHT HOLDER BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER LIABILITY, INCLUDING ANY GENERAL, SPECIAL, INDIRECT, INCIDENTAL, OR CONSEQUENTIAL DAMAGES, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING FROM, OUT OF THE USE OR INABILITY TO USE THE FONT SOFTWARE OR FROM OTHER DEALINGS IN THE FONT SOFTWARE. Webfont Kit The license for this font is the SIL OFL license.
This license does not allow us to redistribute derivative versions of the font without wholesale name changes inside and out of the font. Until we figure out a reasonable method of delivering these to you and complying with the license, you will have to use the yourself on these, renaming the fonts appropriately. If you are the designer of this font, and this was an unintended consequence of using the OFL license, and give us permission to allow webfont conversions. The old posters and signs in the traditional Montserrat neighborhood of Buenos Aires inspired Julieta Ulanovsky to design this typeface and rescue the beauty of urban typography that emerged in the first half of the twentieth century.
As urban development changes that place, it will never return to its original form and loses forever the designs that are so special and unique. The letters that inspired this project have work, dedication, care, color, contrast, light and life, day and night!
These are the types that make the city look so beautiful. The Montserrat Project began with the idea to rescue what is in Montserrat and set it free under a libre license, the SIL Open Font License. This is the normal family, and it has two sister families so far, Alternates and Subrayada.
Many of the letterforms are special in the Alternates family, while ‘Subrayada’ means ‘Underlined’ in Spanish and celebrates a special style of underline that is integrated into the letterforms found in the Montserrat neighborhood. Updated November 2017: The family was redrawn by Jacques Le Bailly at Baron von Fonthausen over the summer, and the full set of weights were adjusted to make the Regular lighter and better for use in longer texts. In fall, Julieta Ulanovsky, Sol Matas, and Juan Pablo del Peral, led the development of Cyrillic support, with consultation with Carolina Giovagnoli, Maria Doreuli, and Alexei Vanyashin. The Montserrat project is led by Julieta Ulanovsky, a type designer based in Buenos Aires, Argentina. To contribute, see github.com/JulietaUla/Montserrat Downloads: 4,360,497 Uploaded on: July 17, 2014 Designed by: Classification: Tags:, Languages: Some Fonts Also Support.
Color fonts have been touted as the Next Big Thing. They aren’t universally accepted just yet, but for you early adopters, here’s a great way to build custom fonts directly inside Photoshop.
In a we looked at Fontself, the revolutionary plug-in that allows users to create fonts in Adobe Illustrator. Now Fontself has introduced a new plug-in that enables you to create color fonts in Photoshop.
First, a word of warning: although you can create the fonts in Photoshop and use them in Photoshop, the number of external applications in which you can use them is at present very limited. They’ll work in most of the apps that ship with a Mac, such as Pages and TextEdit, but they won’t yet work in Illustrator or InDesign. And as for browsers you’re limited to Firefox and Microsoft Edge for now. Having said that, color font support is likely to be built into most apps in the near future. Color fonts are created in the OpenType-SVG format.
If you create a font in Photoshop using Shapes tools, then they’ll be fully scalable. If you use bitmap tools, as we do here, then they can be scaled only up to the original creation size—up to about 500px per character. To get started, you’ll have to buy Fontself from. It costs $49 for either the Photoshop or Illustrator version, or $79 for both.
Open the Fontself PSD The template document includes upper and lowercase alphabets, as well as standard punctuation, but you can add any glyphs that don’t appear here manually. Each glyph is contained in a separate layer, which is necessary for building the font.
Change the base font The glyphs in the template are there to give you an indication of how to draw your custom font. In this instance, though, we’re going to adapt an existing font –, which can be downloaded for free from dafont.com. The simplest approach is to select all the type layers, and unlock them using the padlock icon in the Layers panel; switch to the Type tool, and change the font to whatever you want.
Boost the opacity Because the original template font is designed as an indication only, the opacity of the layers is set to just 20%. With all the glyph layers selected, it’s easy to change this to 100% so you can see the font at full strength. Select the dots To make this color font, we’re going to add a lightbulb glow to all the white dots within the characters. Choose just one letter to work on—you’ll need to treat them all individually.
Select the dots with the Magic Wand tool, holding the Shift key to add each new selection to the old one. Then make a new layer, and fill the selection with any color.
![Download font for photoshop Download font for photoshop](http://clipart-library.com/images/dT45eXRkc.jpg)
![For For](http://a4.mzstatic.com/us/r30/Purple3/v4/90/e7/89/90e789e5-22ee-d30e-df24-5b73f6feda19/screen800x500.jpeg)
Light up the dots I’ve used the Layer Style panel to light these dots. First, a Color Overlay turns the dots yellow; then an Outer Glow adds the haze around the dots; and finally, a white Inner Glow adds the bright spot in the middle of each bulb. As these effects are all added with Layer Styles, it’s easy to adapt and modify them later if you need to. Style the base font Switch back to the glyph layer, and use the Layer Style dialog again to add effects. I’ve added a red Color Overlay, with an orange Stroke.
I then made a solid Drop Shadow (100% Spread, 0 px Size) and offset it by one pixel; then I duplicated this shadow nine times, setting each one with an additional one-pixel offset. This creates the three-dimensional extrusion seen here. Repeat the process Now for the laborious part: repeating this procedure on all the remaining glyphs (I’m only working with upper case letters in this tutorial).
To make things easier, it’s worth defining new Layer Styles for both the letters and the dots, so you can apply them to the new layers with a single click. To do this, select the layer on which you’ve built the style, and choose New Style from the pop-up menu in the Styles panel. Merge the layers In order for Fontself to build the font, you need to make sure each glyph is just a single layer, and that means flattening all the dots down into the text layers. This isn’t as laborious as it sounds, as you can do it all with keystrokes. Select the first dots layer, then use Alt-Shift- to add the layer beneath to the selection, followed by Command/Ctrl+E to flatten the two layers together. Then use Alt- to move down to the next dots layer, and repeat the process.
I recommend that you duplicate the Uppercase Fonts group first, so you still have access to the originals should you need it. Build the font The next step is simple. Open the Fontself window by choosing Window Extensions Fontself Maker PS. Select all the glyph layers (there should be 26 of them) and drag them into the Fontself Maker panel, in the appropriate place. In this case, it’s the A-Z Uppercase alphabet slot.
And that’s all there is to it. Preview your font It takes a few seconds for the plug-in to crunch through all the layers, after which you’ll be rewarded with a view of the entire alphabet. You can type your own text in here if you wish, to preview specific words.
You can adjust the letter spacing and, once you’re happy with the result, click the Export button to make the font. The finished font Once your font has been built, you can install it just like any other font. Here’s some sample text set in the Mac app TextEdit. You can’t set kerning pairs in Fontself, which is why the A on the top line appears to have too much space around it – so manual kerning will always be necessary.
Color fonts are still in their infancy, but you can create some spectacular results. The font I’ve created here is based on an existing one but, of course, you can build your own color fonts from scratch using any of Photoshop’s tools.
And they don’t have to be just text: you can, of course, build a font of your favorite logos or multicolored illustrations, if you want to. Categories:, Tags.